The kind folks over at Blood Velvet Company have released Happy The Clown of Despair limited edition pins in conjunction with the DVD release of DEAD AMERICAN WOMAN from Massacre Video.  Each pin includes a backing card signed by director Peter Romeo Lambert. The pins are very limited, so head to Blood Velvet to secure one before they’re gone! Blood Velvet Co


Dead American Woman – 9/11/2018

Dead American Woman is arriving on DVD in a never-before-seen Director’s Cut. It’s loaded with bonus features. Pre-orders are already available at Massacre Video.

Visit to pre-order your copy today.

Here’s the trade ad for the release:


Dead American Woman : Director’s Cut

Over a decade ago, myself along with a bunch of other talented folks set out to make a low budget horror/weirdo/revenge movie called “Dead American Woman”. I got the name from an earlier series of shot-on-vhs movies I made when I was in college.

Originally going to be shot on film, we later switched to rental equipment from the Art Institute in Chicago (Kenny Reed, cinematographer on DAW, was enrolled as a student and had access to equipment we otherwise wouldn’t have). We began shooting in the fall of 2006 and finished in the summer of ’07.

At the time I was new to digital editing (my earlier years were filled with analogue tape editing) so my knowledge of working with Final Cut Pro was limited (to put it mildly). Julie (Finch) Fabulous took on the role of editor of DAW, with me as a “co-editor”. I would sit next to her with the script while she assembled the timeline. This method of editing took years to complete (but we had a lot of fun while we did it).

We eventually screened the first cut of DAW at The Portage Theater in Chicago on June 19th, 2010 (almost three years after we finished shooting). The screening was a success, however I wasn’t satisfied with the initial cut. In my eyes, it seemed like a rough draft of the movie (which it actually was). There were scenes that dragged out and didn’t work, and I wasn’t happy with the tone shifts throughout (I’m the only person to blame for this, by the way, as we were going off of my script, direction, and suggestions).

In 2011, Julie was kind enough to look at the footage again and re-assemble an updated edit of the film, which trimmed some of the fat and tightened the movie up a bit more. The following year, I rearranged that edit of the movie. It’s that version of DAW that Synapse Video released on DigiDev TV , an early streaming site that Synapse was partnering with for awhile in 2012/13.

I released that version on DVD as well. However, I still felt there was a lot more to DAW, and a big problem was how I never had access to the footage for myself to look over. The movie was shot on Super 8 and the limited HD-miniDV tape format. In order to play HD-miniDV tapes, you need to own a DV Camcorder that can also play miniDV tapes formatted in HD (High Definition was still a new technology at that time). Since I only owned DV cameras, I was never able to play those HD-miniDV tapes.

Flash forward to 2017. I found a brand new HD-miniDV camera for under $200 on eBay! I purchased it and began capturing the 12 hours of footage we shot for Dead American Woman. It was like hanging out with old friends again. Not only was it a trip down memory lane, but I also discovered a lot of alternate takes better than the ones we used all those years ago. I was excited to finally bring Dead American Woman to life (pun intended) again.

I still have some work to do on the film, so in the meantime, I’ve created a new trailer for my new Director’s Cut of Dead American Woman. It’s always been an extreme movie in terms of sexual depravity and violence, and will probably be the most explicit movie I’ll ever make. Most of the insane stuff couldn’t make the trailer for obvious reasons. Alas, I hope this will give you a tiny taste of what the actual film has in store if you decide to watch it.

No one has seen it quite like this.

Enjoy the trailer for now and just wait…there’s more to come!



Nurse Jill BluRay Review


“Not short on sex or violence, Nurse Jill is a strange movie. The pacing is odd, the story throws large dollops of surrealism into the mix when you don’t expect it, and it doesn’t really adhere to the rules or conventions of any one particular genre. It is, however, a compelling picture worth seeing.” – Ian Jane (Rock! Shock! Pop!)

Read the entire review here:


After this election, don’t we all need a little escapism? Join me at Spectacle Theater on Saturday November 12th at 10PM for a special screening of NURSE JILL. Tickets are $5, BYOB, and the address is 124 S 3rd St (near Bedford Ave) in Brooklyn.

Here’s a scene from Nurse Jill:


Here is Spectacle Theater’s trailer for the film( NSFW):

Hope to see y’all there!



Nurse Jill and Dead American Woman will be screened back to back this coming Saturday, September 24th 2016, at Showboat Gallery in Chicago. This will mark the first screening of Nurse Jill in the city it was shot in. Heather (Here) Marie Vernon, actress in both Nurse Jill and Dead American Woman, will be performing a piece that is based on both of the characters she plays in the film. Most of the cast and crew for both films are the same, and many of them will be in attendance, including director Peter Romeo Lambert, who will introduce both films.

This will mark the first event held at Showboat Gallery. Showboat is located at 2058 W 21st Street, Chicago, IL 60608 (located on the corner of S. Hoyne and W 21st St, but the entrance is on W 21st St). Doors open at 9pm.

Nurse Jill (2016, 73 minutes, 16mm) 10pm

Dead American Woman (2013, 74 minutes, HD/Super8) Midnight